Facebook Groups for Writersâ€The Good, The Bad, and the Ugly

Facebook Groups for Writers- The Good, The Bad, and the Ugly If you havent read the most recent Facebook statistics provided by Brandwatch, take a seat. Yes†¦thats right, take a seat. Theyre THAT staggering.With 2.375 billion monthly active users (as of Q3 2018) and 1.49 billion daily active users, 68% of U.S. adults use Facebook and 51% of them use it several times a day.In fact, out of everyone in the world who is online, 26.3% use Facebook. In the U.S. the numbers are exponentially higher.Theres little doubt that Facebook is the most popular online social media platform, with massive potential for indie authors looking to spread the word about their latest published novel. Rather than focusing on Facebook marketing, however, lets discuss an aspect of the gargantuan social media player that offers marketing, education, feedback, collaboration, and more. Yes, Im talking about Facebook groups.Facebook groups offer marketing opportunities, education, feedback, collaboration, and more. Photo by Glen Carrie on Unsplash.If youve ever been a m ember of a Facebook group, then you know that these groups can range from being full of valuable information to nothing more than a place for spammers and scammers to sell their wares or services. So, for this article, lets discuss the good, the bad, and the ugly when it comes to Facebook groups- and in doing so- sift through what is important and what isnt when marketing yourself as an indie writer on these forums.The goodThe good that you need to focus on are the ways in which you can use social media, including Facebook groups for writers, for your benefit as an author:Social media is a gold mine of unlocked potential to build a following, showcase your writing ability and gain exposure†¦ Facebook groups are yet another creative way writers can use social media to get noticed and inspired.Joining a Facebook group aimed at writers is a fantastic way to meet and collaborate with other writers. You might even find your next writing gig!Facebook writing groups range from small a nd intimate, to enormous and robust. Topics and focus vary, but the main benefit remains the same: comradery with other writers.Kelly Gurnett, The Write LifeThere are, however, important details to notice as you join and participate with these groups on Facebook. The first to highlight is that each group has its own individual rules regarding what can be posted or shared with the community at large. For example, The Write Life Facebook community is a public group, which means any writer can access it and see its posts without asking to become a member. However, this group only allows self-promotion on one day of the week (Monday, currently), and only within one thread (meaning, you cant post a separate thread to the group to advertise your latest novel thats available).Other groups, such as this closed group for Calls for Submissions (Poetry, Fiction, Art) are more targeted to a specific purpose for joining it, and might be more worth the time it requires to scroll through posts tha t are made. Currently, the group above has over 58,000 members, so obviously, its a good resource for writers looking to find publishing opportunities.Simply put, as you reach out to various Facebook groups in order to join them, choose carefully by exploring their mission statements, rules, and community standards for posting. If your primary intent in joining Facebook groups is to receive advice from other authors in the industry, your choices of potential groups is more expansive. In fact, consider looking at the groups your favorite writers have joined (you should be able to see this by joining their own individual writer page), and observe the activity those writers participate in within the community.However, if your intent is for self-promotion, there are fewer groups that allow this. Do your research. For example, this one allows self-promotion, so if self-promotion is your intent, its a good one to join (with over 15 thousand members).The badLets talk for a moment about som e of the reasons why Facebook groups can be bad for writers. As mentioned previously, without honing in on the purpose for joining a Facebook group, you might be left with posts popping up in your Facebook feed that are full of useless information that does little more than distract you from your goal, which is writing more. And lets face it- who needs more of that?Most groups are extremely upfront about their purpose, mission, and rules. In fact, you dont even have to join to read it. For example, this Indie Author Group prints the following on their group intro:MISSION STATEMENT:The Indie Author group is designed to be your trusted first stop for information about Indie writing and support.Its a place for Indie writers to interact and become better writers. By improving the overall quality we can gain the respect our hard work deserves.We welcome all writers, whether traditionally published, self-publishing or a hybrid (a blend of both). Our resources are designed around offering suggestions and tips for all aspects of the writing life.Requests for review exchanges are a form of promotion, and are not allowed.Indie Author Group, FacebookObviously, this group doesnt want self-promotion, either, and only wants to provide tips and suggestions to indie authors about the writing and publishing process. Therefore, if you join it and start trying to promote your work, youll likely be booted out- or at the very least, reminded of the rules. Groups that have efficient moderators are good at keeping unwanted material from showing up on the page and hold every right to delete a post that doesnt agree with the community standards.If you want to achieve the most good from Facebook groups, youll need to do a little research and determine a few important things:What do you want out of a Facebook group? Is it an opportunity to self-promote? Is it help from other published writers? Is it a community that will review your material before you publish it?Next, which Facebook gr oups offer what you are looking for? Narrow it down to get the most out of your group participation.The uglyAs promised in the title, there is also some sheer ugliness that comes along with joining a Facebook group for writers, and it starts with human psychology while online.Dr Ciarn Mc Mahon of the cyberpsychology research centre at the Royal College of Surgeons in Ireland Institute of Leadership, explains it like this- rising right alongside of social media is narcissism in its worst form. He notes:If you put something on Twitter [or Facebook], it can be seen by upwards of 250 million people, but you probably wrote it in silence and in physical privacy. So, there is quite a gulf between instantly public global communication and these very, very private thoughts. So, a private thought- That guy is an idiot- can easily become an undeletable public announcement: You are an idiot. People have been calling each other idiots for a very long time but never before in such epic terms.Dr C iarn Mc Mahon, Irish TimesThe author of the above mentioned article, Patrick Freyne, puts it like this:People argue passionately. They argue creatively. They argue compulsively. There are misunderstandings and lapses of humour. Minor differences of opinion spiral into incivility- and, to be fair, pleasant arguments often stay pleasant. Nowadays, even the most debate-averse people find themselves engaging with online arguments vicariously, sucking up dubiously sourced opinions and counteropinions as if by osmosis.When I ask internet arguers if they argue more now than they did in the past, they dont hesitate: Definitely.So is there a point to arguing with strangers? Thats a muddier issue.Patrick Freyne, Irish TimesOnline arguments happen more often, and more easily, than face-to-face ones. Photo by Gratisography on Pexels.This leads to an important point that we should all take note of- writers and non-writers alike. What is posted online is posted for the world to see. Its also post ed in a way that is undeletable. Sure, weve all seen news stories of celebrities who posted something and then quickly deleted it, but did you catch the fact that the world still knows what was posted?The simple fact is, when you post something online, it is forever. This means that if you are in a heated argument with a fellow writer over- I dont know- something as simple as a favorite author, or a presumed intention of that favorite author, and you make a derogatory comment that could be construed wrong†¦that comment is there for everyone to see, both now and in the future. Are you that confident in your stance to engrave a comment in proverbial stone? Is the argument really worth that risk?If not, its perhaps best to leave the online arguments alone. I know very few people whose political or social stance hasnt changed in the past decade, so imagine seeing your own stance printed in a permanent form 10 years from now. What if it changes? What if that one comment isnt how you want to be remembered?These are very real considerations to keep in mind when joining an online community and participating in what is often a rude, politically-charged discourse that would rarely happen if the commentators were face to face.

Reality Television Assignment Example | Topics and Well Written Essays - 4000 words

Reality Television - Assignment Example Media provides knowledge through a never-ending list of channels like News, history, education, sports and so on. Initially, this field was restricted only to professionals. But with the advent of reality television shows, normal people found their way to participate and contribute towards media development. The initial efforts were first applied for on-air voice shows and after their resounding success made way into the visual screen; television. Reality television shows, which show real life, are generally unscripted drama or real events pictures on ordinary people rather than professional actors. In addition, hundreds of reality TV websites are devoted to keeping viewers informed about a different range of TV programmes related merchandise, news, and fan activities1. Ever since TV gained popularity, it is the fore-runner among media development giving a real-time account of happenings in the world. Based on featuring style, purpose and used situations, these shows can be broadly classified in categories like documentary-style, elimination game/quiz shows, self-improvement/makeover, dating shows, talk shows, hidden camera, and hoaxes2. There are lots of controversies regarding reality TV about being real. Many accidents happened during shows. And even many people don’t like it due to various reasons. Sometimes these persons are family members of a participant. In spite of these many obstacles, reality TV business in expanding daily and gaining more and more popularity. Reasons for this is its use to ordinary people, many social issues raised and many more. Next sections explain about reality TV in detail and convince the reader about how reality TV efficiently deals with issues like work, home, public, domestic, competition, co-operation, relationships, betrayal, deception, testing, trust, success, winning, failure, celebrity, voyeurism, surveillance and control.   Documentary style cinema and television shows are like ‘window on the world’ for their audiences.  

Accounting for business decision Assignment Example | Topics and Well Written Essays - 1000 words

Accounting for business decision - Assignment Example Every investor is concerned about the security of his wealth. An investment is made after considering a lot of factors such as risk and return on investments, the value of an asset or a company and other factors both internal and external. Internal factors are those over which a company has regulatory authority while external factors are those over which a company has no control. Ventura PLC proposes to invest in the CFT; the evaluation of their proposal involves ascertaining the viability of CFT Company. Therefore, a ratio analysis on the company is imperative. Ventura PLC as an investor would be interested in the following: earnings per share ratios, return ratios and gearing ratios (Kumar 2009, pp. 95-115). This ratio shows returns to the shareholders that every share held generates. The ratio is obtained by dividing a company’s earnings after tax by the number of ordinary shares, within a financial period. Concerning CFT, in the year 2011, the company’s EPS = (EAT/Shares) = (410,000/2,500,000) = $ 0.164 per share, whereas, in the year 2012, the Company’s EPS = (547,000/2,500,000) = $ 0.219 per share. A time series analysis of the EPS between the two years indicates an increase in the EPS in 2012 due to an increase in the company’s earnings after tax. The trend experienced is good news for investors since they stand a chance of earning higher returns in the future. Using this short analysis, Ventura plc’s investment proposal is supported. The reason for the support is that the CFT Company promises a future increase in reward to investors (EPS) (Kumar 2009, pp. 95-115). Return on equity – is obtained by dividing a company’s earnings after tax by total shareholder’s equity (EAT/Equity). Concerning CFT, its ROE in 2011 and 2012 are calculated as (410,000/2650, 000) = 15.5% and (547,000/2,897,000) = 18.9% respectively. This ratio indicates the proportion of the net profit attributed to shareholder’s equity. The rate of return

Classical Music Essay Example for Free

Classical Music Essay Kerala (/ˈkeÉ ªrÉ™lÉ™/), also known as Keralam (/ˈkeÉ ªrÉ™lÉ™m/) is a state located in the south-west region of India on the Malabar coast. Thiruvananthapuram is the state capital among the 14 districts; other major cities include Kochi andKozhikode. At a population of 33,388,000 in 2011, the state has the lowest population growth rate. It also has the highest literacy rate; It is also considered as the cleanest state in India. Production of pepper and natural rubber constitute prominent output in the total national output, as well as in the agricultural sector, coconut, tea, coffee, cashew, spices are important. Climate Kerala has a wet and maritime tropical climate influenced by the seasonal heavy rains of the southwest summer monsoon and northeast winter monsoon. Agriculture Kerala produces 97% of the national output of black pepper[180] and accounts for 85% of the area under natural rubber in the country.[181][66] Coconut, tea,coffee, cashew, and spices—including cardamom, vanilla, cinnamon, and nutmeg—comprise a critical agricultural sector.[182][183][184][185][89][186] The key agricultural staple is rice, with varieties grown in extensive paddy fields Fisheries Kerala is one of the leading producers of fish in India. about 1.1 million people earn their livelihood from fishing and allied activities such as drying, processing, packaging, exporting and transporting fisheries. Culture-Dance The culture of Kerala is composite and cosmopolitan in nature and its an integral part of Indian culture. Kerala is home to a number of performance arts. These include five classical dance forms: Kathakali, Mohiniyattam, Koodiyattom, Thullal andKrishnanattam, Culture-Music: Carnatic music dominates Keralite traditional music. Development of classical music in Kerala is attributed to the contributions it received from the traditional performance arts associated with the temple culture of Kerala. Culture-Cuisine- Kerala cuisine has a multitude of both vegetarian and non-vegetarian dishes prepared using fish, poultry and meat Elephants Elephants have been an integral part of culture of the state. Kerala is home to the largest domesticated population of elephant in India—about 700 Indian elephants, owned by temples as well as individuals.[324] These elephants are mainly employed for the processions and displays associated with festivals celebrated all around the state. Tourism Kerala is a tourist destination: the backwaters, beaches, Ayurvedic tourism, and tropical greenery are among its major attractions. Keralas beaches, backwaters, mountain ranges and wildlife sanctuaries are the major attractions for both domestic and international tourists. The city of Kochi ranks first in the total number of international and domestic tourists in Kerala. RÄ jasthÄ n, ) Known as The land of kings, is the largest state of the Republic of Indiaby area. It is located in the northwest of India. Jaipur is the capital and the largest city of the state. Eastern Rajasthan has the world famous Keoladeo National Park near Bharatpur, a World Heritage Site known for its bird life. It also has two national tiger reserves, Ranthambore and Sariska Tiger Reserve, and a famous temple in Khatu, Sikar district, Language: Rajasthani is the main spoken language of the state, although Hindi and English are used for official purposes. It is spoken by 13 million people in Rajasthan and o ther states of India. Economy Rajasthans economy is primarily agricultural and pastoral. Wheat and barley are cultivated over large areas, as are pulses, sugarcane, and oilseeds.Cotton and tobacco are the states cash crops. Rajasthan is among the largest producers of edible oils in India and the second largest producer ofoilseeds. Rajasthan is also the biggest wool-producing state in India and the main opium producer and consumer. There are mainly two crop seasons. The water for irrigation comes from wells and tanks. The Indira Gandhi Canal irrigates northwestern Rajasthan. The main industries are mineral based, agriculture based, and textiles. Rajasthan is the second largest producer of polyester fibre in India. Rajasthan is pre-eminent in quarrying and mining in India The state is the second largest source of cement in India Tourism: Endowed with natural beauty and a great history, tourism is a flourishing industry in Rajasthan. The palaces of Jaipur and Ajmer-Pushkar, the lakes of Udaipur, the desert forts of Jodhpur, Taragarh Fort (Star Fort) in Bundi, and Bikaner and Jaisalmer rank among the most preferred destinations in India for many tourists both Indian and foreign. Culture: The Ghoomar dance from Udaipur and Kalbeliya dance of Jaisalmer have gained international recognition. Folk music is a vital part of Rajasthani culture.Kathputli, Bhopa, Chang, Teratali, Ghindr, Kachchhighori, Tejaji etc. are the examples of the traditional Rajasthani culture. Rajasthan is known for its traditional, colorful art.wall painting in bundi . The block prints, tie and dye prints, Bagaru prints, Sanganer prints, and Zariembroidery are major export products from Rajasthan. Handicraft items like wooden furniture and handicrafts, carpets, and blue pottery are some of the things commonly found here. Rajasthani clothes have a lot of mirror-work and embroidery. A Rajasthani traditional dress for females comprises an ankle length skirt and a short top, also known as a lehenga or a chaniya choli. Cuisne Rajasthani cooking was influenced by both the war-like lifestyles of its inhabitants and the availability of ingredients in this arid region.[1] Food that could last for several days and could be eaten without heating was preferred. Rajasthani cuisine is a splendid array of colorful, spicy and unique dishes. Rajasthani food is incomplete without the mention of the famedDal-Baati-Churma, a distinctive dish of the state. Amir Khusrau AmÄ «rKhusrow was an Indian musician, scholar and poet. He was an iconic figure in the cultural history of the Indian subcontinent. A Sufi mystic and a spiritual disciple of Nizamuddin Auliya of Delhi, AmÄ «r Khusrow was not only a notable poet but also a prolific and seminal musician. He wrote poetry primarily in Persian, but also in Hindavi. He compiled the oldest known printed dictionary (Khaliq-e-bari ) in 1320 which mainly dealt with Hindvi and Persian words. He is regarded as the father of qawwali. He is also credited with enriching Hindustani classical music by introducing Persian and Arabic elements in it, and was the originator of the khayal and tarana styles of music. The invention of the tabla is also traditionally attributed to AmÄ «r Khusrow. Early life and background AmÄ «r Khusrow was born in Patiyali in Uttar Pradesh. His father, AmÄ «r Sayf ud-DÄ «n MahmÃ… «d, was a Turkic officer and a member of the Lachin tribe of Transoxania, themselves belonging to the Kara-Khitais.[5][6][7] His mother was the daughter of Rawat Arz, the famous war minister of Balban, and belonged to the Rajput tribes of Uttar Pradesh Khusrow the royal poet Khusrow was a prolific classical poet associated with the royal courts of more than seven rulers of the Delhi Sultanate. He is popular in much of North India and Pakistan, because of many playful riddles, songs and legends attributed to him. Through his enormous literary output and the legendary folk personality, Khusrow represents one of the first (recorded) Indian personages with a true multi-cultural or pluralistic identity. Last Days I 321 Mubarak Khilji was murdered and Ghiyath al-Din Tughluq came to power. Khusro started to write theTughluqnama. 1325 Sultan Muhammad bin Tughluq came to power. Nizamuddin Auliya died, and six months later so did Khusrow . Khusrow s tomb is next to that of his master in the Nizamuddin Dargah of Delhi. - Tulsi Das TulsiDas also known as Goswami Tulsidas), was a Hindu poet-saint, reformer and philosopher renowned for his devotion to the god Rama. A composer of several popular works, he is best known as the author of the epicRamcharitmanas, a retelling of the Sanskrit Ramayana in the vernacular Awadhi. Tulsidas was acclaimed in his lifetime to be a reincarnation ofValmiki, the composer of the original Ramayana in Sanskrit.[4] He is also considered to be the composer of the Hanuman Chalisa, a popular devotional hymn dedicated to Hanuman, the divine devotee of Rama.[5] Tulsidas lived permanently and died in the city of Varanasi.[6] The Tulsi Ghat in Varnasi is named after him.[3] He founded the Sankatmochan Temple dedicated to Hanuman in Varanasi, believed to stand at the place where he had the sight of Hanuman.[7] Tulsidas started the Ramlila plays, a folk-theatre adaption of the Ramayana.[8] He has been acclaimed as one of the greatest poets in Hindi, Indian, and world literature.[9][10][11][12] The impact of Tulsidas and his works on the art, culture and society in India is widespread and is seen to date in vernacular language, Ramlila plays, Hindustani classical music, popular music, and television series. Tulsidas is believed to be a reincarnation of Valmiki Early life Birth Tulsidas was born on the seventh day of the bright half of the lunar Hindu month Shraavana (July–August). After renunciation, Tulsidas spent most of his time at Varanasi, Prayag, Ayodhya, and Chitrakuta but visited many other nearby and far-off places. He traveled across India to many places, studying different people, meeting saints and Sadhus and meditating Tulsidas died at the Assi Ghat on the bank of the river Ganga in the Shraavan (July–August) month of the year Vikram 1680 (1623 CE). Like the year of his birth, traditional accounts and biographers do not agree on the exact date of his death. Different sources give the date as the third day of the bright half, seventh day of the bright half, or the third day of the dark half.[77][78] - Works Kamban Kambar (Kampan in casual address) was a medieval Tamil poet and the author of the Tamil Ramayanam Ramavatharam, popularly known as Kambaramayanam, the Tamil version of Ramayana. He was born in the 12th century in Tiruvaluntur in Tanjore district - Life Kambar belonged to the Ochchan or Occhan caste, traditionally nadaswaram players in southern India.[3][4] But he was brought up in the household of a wealthy farmer in Vennai Nellur in south India. The Chola king having heard of this talented bard, summoned him to his court and honoured him with the title Kavi Chakravarthi or The Emperor of Poets. The Ramavataram or Kamba Ramayanam of Kamban is an epic of about 11,000 stanzas as opposed to Valmikis 24000 couplets. Kamba Ramayana is not a translation of the Sanskrit epic by Valmiki, but an original retelling of the story of the God Rama. The poetic work is well known for its similes. Many Tamil poets, statesmen, kings and common people have praised Kambar for his Kambaramayanam which has more than 10000 songs forming one of the greatest epics of Tamil. Kambaramayanam has more than 45000 lines. Thyagaraja Kakarla Tyagabrahmam (May 4, 1767–January 6, 1847), was one of the greatest composers of Carnatic music or classical South Indian music. He was a prolific composer and highly influential in the development of the South Indian classical music tradition. Tyagaraja composed thousands of devotional compositions, most in praise of Lord Rama — many of which remain popular today. Of special mention are five of his compositions called the Pancharatna Krithis (English: five gems), which are often sung in programs in his honor. Tyagaraja was born in 1767 in Tiruvarur, Tiruvarur district, in what is now called Tamil Nadu, to Kakarla Ramabrahmam and Sitamma in a Telugu Brahmin family of the Mulukanadu subsect He was named Tyagaraja after Lord Tyagaraja, the presiding deity of the temple at Tiruvarur. Tyagaraja began his musical training under Sri Sonthi Ramanayya, a music scholar, at an early age. He regarded music as a way to experience Gods love. His objective while practising music was purely devotional, as opposed to focusing on the technicalities of classical music. Tyagaraja, who was totally immersed in his devotion to Lord Rama and led the most spartan way of life without bothering in the least for the comforts of the world, The songs he composed were widespread in their popularity. due to the labour of love by these musicians and researchers, there is a definitive collection of Thyagarajas music. However out of 24,000 thousand songs said to have been composed, about 700 songs remain known. Tyagaraja Aradhana, the commemorative music festival is held every year at Thiruvaiyaru in the months of January to February in Tyagarajas honour. This is a week-long festival of music where various Carnatic musicians from all over the world converge at his resting place. SAROD The sarod is a stringed musical instrument, used mainly in Indian classical music. Along with the sitar, it is the most popular and prominent instrument in Hindustani (northern Indian, Bangladeshi and Pakistani) classical music. The sarod is known for a deep, weighty, introspective sound, in contrast with the sweet, overtone-rich texture of the sitar, with sympathetic strings that give it a resonant, reverberant quality. It is a fretless instrument able to produce the continuous slides between notes known as meend (glissandi), which is important to Indian music. The sarod is believed by some to have descended from the Afghan rubab, a similar instrument originating in Central Asia and Afghanistan. The nameSarod roughly translates to beautiful sound or melody in Persian . Design The design of the instrument depends on the school (gharana) of playing. There are three distinguishable types, discussed below. The conventional sarod is an 17 to 25-stringed lute-like instrument — four to five main strings used for playing the melody, one or two drone strings, twochikari strings and nine to eleven sympathetic strings. The design of this early model is generally credited to Niyamatullah Khan of the Lucknow Gharana as well as Ghulam Ali Khan of the Gwalior-Bangash Gharana. Among the contemporary sarod players, this basic design is kept intact by two streams of sarod playing Another type is that designed by Allauddin Khan and his brother Ayet Ali Khan. This instrument, referred to by David Trasoff (Trasoff, 2000) as the 1934 Maihar Prototype, is larger and longer than the conventional instrument, though the fingerboard is identical to the traditional sarod described above. This instrument has 25 strings in all. Sarod strings are made either of steel or phosphor bronze. Early sarod players used plain wire plectrums, which yield a soft, ringing tone. Playing The lack of frets and the tension of the strings make the sarod a very demanding instrument to play, as the strings must be pressed hard against the fingerboard. There are two approaches to stopping the strings of the sarod. One involves using the tip of ones fingernails to stop the strings, and the other uses a combination of the nail and the fingertip to stop the strings against the fingerboard

American Indian Movement: Activism and Repression Essay -- Indian Nati

American Indian Movement: Activism and Repression   Ã‚  Ã‚  Ã‚  Ã‚  Native Americans have felt distress from societal and governmental interactions for hundreds of years. American Indian protests against these pressures date back to the colonial period. Broken treaties, removal policies, acculturation, and assimilation have scarred the indigenous societies of the United States. These policies and the continued oppression of the native communities produced an atmosphere of heightened tension. Governmental pressure for assimilation and their apparent aim to destroy cultures, communities, and identities through policies gave the native people a reason to fight. The unanticipated consequence was the subsequent creation of a pan-American Indian identity of the 1960s. These factors combined with poverty, racism, and prolonged discrimination fueled a resentment that had been present in Indian communities for many years. In 1968, the formation of the American Indian Movement took place to tackle the situation and position of Native Americ ans in society. This movement gave way to a series of radical protests, which were designed to draw awareness to the concerns of American Indians and to compel the federal government to act on their behalf. The movement’s major events were the occupation of Alcatraz, Mount Rushmore, The Trail of Broken Treaties, and Wounded Knee II. These AIM efforts in the 1960s and 1970s era of protest contained many sociological theories that helped and hindered the Native Americans success. The Governments continued repression of the Native Americans assisted in the more radicalized approach of the American Indian Movement. Radical tactics combined with media attention stained the AIM and their effectiveness. Native militancy became a repertoire of action along with adopted strategies from the Civil Rights Movement. In this essay, I will explain the formation of AIM and their major events, while revealing that this identity based social movement’s radical approach led to a harsher governmentally repressive counter movement that ultimately influenced the movements decline.   Ã‚  Ã‚  Ã‚  Ã‚  The growing pan-Indian activism that was becoming increasingly strong in regions of the United States helped develop the American Indian Movement. Educated young urban Indians were becoming involved in rights issues and insisted on self-determination in the 1960s era of prote... ...erican Indian Movement during the 1970s.† American Indian Culture and Research Journal 18.4 (1994): 242-64. Della Porta, Donatella, and Mario Diani. Social Movements: An Introduction.   Ã‚  Ã‚  Ã‚  Ã‚  Malden, MA: Blackwell Publishing, 1999. Johnson, Troy R. The Occupation of Alcatraz Island: Indian Self-Determination and the Rise of Indian Activism. Chicago: University of Illinois Press. 1996. Johnson, Troy, Joane Nagel, and Duane Champagne. American Indian Activism: Alcatraz to the Longest Walk. Chicago: University of Illinois Press. 1997. Means, Russell, and Marvin J. Wolf. Where White Men Fear To Tread.   Ã‚  Ã‚  Ã‚  Ã‚  New York: St. Martin’s Press. 1995. PBS. Alcatraz is Not an Island: Timeline of Indian Activism. PBS Online. 1 Dec. 2004 . Sanchez, John and Mary E. Stuckey. â€Å"The rhetoric of American Indian activism in the   Ã‚  Ã‚  Ã‚  Ã‚  1960s and 1970s.† Communication Quarterly 48.2 (2000): 1-9. Smith, Paul Chaat, and Robert Allen Warrior. Like a Hurricane: The Indian Movement from Alcatraz to Wounded Knee. New York: W.W. Norton. 1996. Vine, Deloria. Behind the Trail of Broken Treaties: An Indian Declaration of Independence. Austin: University of Texas Press. 1985.

Impact of Jet

C IMPACT OF JET EXPERIMENT 1 Aim To find the impact force caused by a fluid jet on a horizontal plate and a hemispherical shell and compare it with the expected theoretical force. 2 Theory When a rubber ball strikes a solid surface it nicely rebounds from the solid surface. The amount of rebound would depend on the coefficient of restitution. However, when a steady fluid jet strikes a solid surface, it does not rebound. But, a stream of fluid is formed which moves over the surface and the fluid leaves the surface tangentially. If a fluid jet is impacting a horizontal plate, at an angle ? the rate of change of momentum can be equated to the force exerted by the jet on the plate. When a vertical fluid jet strikes a horizontally positioned plate, the value of ? will be 90Â °. A control volume analysis can be performed to give the force F = ? QV, (1) where ? is the density of the water, Q is the jet flow rate and V is the velocity of the jet. For the case of a hemispherical shell when t he stream of water is turned back by 180o, the force experienced by the shell will be F = 2? QV, (2) two times the force experienced by the flat plate. Experimental Set-up The set up consists of a closed cylindrical container housing the horizontal plate/hemispherical shell to receive the impact of the jet. The vertical water jet is produced by a pump forcing water through a nozzle of diameter 6mm for the flat plate and of diameter 8mm for the hemispherical set up. The flow rate through the nozzle is measured by a rotameter. The velocity of jet could be obtained by knowing the flow rate. 4 Experimental Procedure Switch on the motor and using the two gate valves control the flow rate.Place suitable weights to counter balance the impact force of the liquid jet. When the load is higher than the impact load of the jet, the jet will be blocked by the plate. When the load is low the load arm will rise up and touch the top part of the housing. Adjust the flow rate for any selected weight s o that the load arm stays in the middle of the distance from the nozzle tip to the top part of the housing. Ensure that the steady flow rate is maintained and take at least six independent measurements by choosing six different flow rates that would balance the weights.Important steps 1 Allow the float to be steady before you start noting down the readings. 2 Ensure that the fluid jet nicely counter balances the weight it is carrying. Flat plate S. No. Flow Rate Q (m3/s) Velocity V (m/s) Force (Experimental) Fex (N) Force (Theoretical) Fth (N) S. No. Flow Rate Q (m3/s) Hemispherical shell Velocity V (m/s) Force (Experimental) Fex (N) Force (Theoretical) Fth (N) 5 Results and Discussion Plot the following graphs. Fex vs Fth 2. Fex/(1/2 ? V2 A) vs Re=Vd/? , where A is the area of cross section of the jet and Re is the Reynolds number of the jet 1.The graphs for the flat plate and the hemispherical shell should be plotted on the same graph. Based on these plots answer the following que stions 1. Do a control volume formulation to derive (1) and (2). 2. Why is the force independent of the area of the plate/shell? 3. What is the slope of the Fex vs F th plot. What should the ideal value of this slope be? If the slope is different from the ideal value, why is it different. 4. What non dimensional number is the y axis of the second plot? What is the significance of the variation this non dimensional number that you observe from your experiments?

The Contribution Of Augustus s Reign From The Middle East...

Augustus is arguably the single most important figure in Roman history. In the course of his long and spectacular career, he put an end to the advancing decay of the Republic and established a new basis for Roman government that was to stand for three centuries. This system, termed the Principate, was far from flawless, but it provided the Roman Empire with a series of rulers who presided over the longest period of unity, peace, and prosperity that Western Europe, the Middle East and the North African seaboard have known in their entire recorded history. Even if the rulers themselves on occasion left much to be desired, the scale of Augustus s achievement in establishing the system cannot be overstated. Aside from the immense importance of Augustus s reign from the broad historical perspective, he himself is an intriguing figure: at once tolerant and implacable, ruthless and forgiving, brazen and tactful. Clearly a man of many facets, he underwent three major political reinventions i n his lifetime and negotiated the stormy and dangerous seas of the last phase of the Roman Revolution with skill and foresight. With Augustus established in power and with the Principate firmly rooted, the internal machinations of the imperial household provide a fascinating glimpse into the one issue that painted this otherwise gifted organizer and politician into a corner from which he could find no easy exit: the problem of the succession. [[1]] The Background To understand Augustus, it